Echoes from Northern Germany and Italy
Sunday 29 May 2022 - 17:30
The Church of Saint Bartholomeo
ANTIQUA VOX 2022
Søren Gleerup Hansen, organo
Jan Pieterszoon Sweelinck (1562-1621) Toccata
Giovanni Paolo Cima (c1570-1622) Canzon quarta: La Pace
Pietro Andrea Ziani (c1616-1684) Capriccio
Jan Pieterszoon Sweelinck (1562-1621) Allemand
Girolamo Frescobaldi (1583-1643) Capriccio sopra il Cucu Canzona Secunda, primo tono
Bernardo Pasquini (1637-1710) Partite diverse di Follia 14 variazioni
Heinrich Scheidemann (1595-1663) Galliarda
Dietrich Buxtehude (1637-1707) Canzona, BuxWV 168 – Fuga, BuxWV 174
Johann Adam Reinken (1623/43-1721) Fuga
Joseph Haydn (1732-1809) Drei Flötenuhrstücke: Menuett “Der Wachtelschlag” Menuett Presto
Agostino Tinazzoli (1660-1723) Toccata Decima settima
Jan Pieterszoon Sweelinck (1562-1621) and Girolamo Frescobaldi (1583-1643) may be considered the founders of the most important “European organ schools” between the Renaissance and the Baroque.
Both were much sought-after teachers, and through their students they had a great influence on the development of keyboard music in Northern and Southern Europe, respectively.
They really had no way to meet each other: Sweelinck lived and worked for most of his life in Amsterdam, and Frescobaldi in Rome, holding the position of organist at St. Peter’s Basilica.
As far as we know, they never met and never mentioned each other’s music. The concert program reflects the echoes of Northern and Southern European traditions also through the compositional style of their respective pupils.